In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In a remote Russian village lives a Girl. She considers herself the most beautiful and wants to leave the village. On the eve of her departure, a local resident attacks her and leaves a deep wound on her face. The Girl is saved from the attacker by a holy fool, who, according to the locals, is able to perform miracles. The Girl asks the holy fool to perform a miracle - to return her beauty.

Georgie, a brazen 13-year-old, has her life uprooted when she’s thrust into the guardianship of her half-sister Harper and torn away from her life in Las Vegas. Harper sees this turbulent time as a window of opportunity to pave a brighter future for her half-sister in Los Angeles, but Harper’s self-righteous attempts to protect Georgie only lead to exposing their paralleled childhood wounds.

When a simple mistake turns into a fatal error for one of his patients, Sam tries to bury the truth.

Through the throes of young adulthood, Laura struggles to get her play produced. Will she be successful in her creative endeavors or will her personal obstacles crash down upon her in this coming of age feature, "The Way That I Am."

Siren has lived her life thinking she's an ordinary girl, in an ordinary town. On her 12th birthday, she learns that she's far from ordinary.

A series of deeply personal short films centered around the debut album of the musical duo Pornographie Exclusive (Severine Cayron and Jerome Vandewattyne). It is a cinematic, musical, and surreal journey that follows two stoic outlaws as they wander through a world suspended between end and beginning, dream and reality. Their road trip leads them through strange places and encounters with lost souls, immersing them in both absurd and philosophical reflections. Shot in a guerrilla filmmaking style with a warm, grainy look, each poetic tableau of their adventure weaves together the different segments of this unique anthology directed by international filmmakers. In these parallel realms, it is not the story that inspires the music, but rather the music that gives birth to the stories.

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.

Set in 1964, a three-day journey along Route 66 begins when Bobby Falls, a 19-year-old serial killer, hitches a ride with Jim Goodwin, a celebrity animal handler travelling with his precious cargo: his TV chimpanzee, Spanky.